James Weeks Klaus Lang without compromising the identity of

without compromising the identity of the composition

This slowness and gravitas is something I very much associate with Blutwurst’s aesthetic

there is a system that determines the tuning of the guitar

Catherine Lamb  April 2024

the overall very soft and intimate instrumental idiom based on long

James Weeks Klaus Lang without compromising the identity of1. Summer (2016) 13: 44 2. Violet (2018) Violute (2018) 10: 30 3. Dsseldorf (2017) 11: 30 4. Durham (2017) 4: 18 5. Siros Garden (2018 20) 30: 10 Explore Ensemble: Taylor MacLennan (flutes) Alex Roberts (clarinet) Oscar Holch (viola) Deni Teo (cello) David Lpez Ibez (violin) Siwan Rhys (piano & harp) George Barton (percussion) Angela Wai Nok Hui (percussion) Nicholas Moroz (electronic realisation) Interview with James Weeks The pieces on your new CD