Ed Ruscha: Voice Mail White Zalika Azim the work’s feminine subject references

the work’s feminine subject references the nude form ubiquitous in Western art history

and material from The Entertaining Freezer

The Fall 2025 issue of Gagosian Quarterly is now available

Essays by art historians Richard Calvocoressi and Mark Stevens mine the artist’s rich work and uncover a trove of associations within a broad art historical context

This poster featuring Leaving Paphos Ringed with Waves (I) (2009) was produced in 2009

Ed Ruscha: Voice Mail White Zalika Azim the work’s feminine subject referencesPublished by Hamilton Press, Ed Ruschas lithograph depicts the term voice mail as two distinct words, each in underscored black capital letters and curving around the center of a white sheet. (A second state of this print, Voice Mail Black, features a printed black background and white lettering revealing the unprinted paper, and was released as a separate edition.) The ink appears to have been smeared (an effect created by gray ink), lending an